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o ovo is a cultural platform connecting London and Sao Paulo through artistic activations, interventions, collaborations and temporary states of collective obsession.
Conceived as an unstable territory between experiment and ritual,
O OVO brings together artists, musicians, image-makers, thinkers, night creatures and accidental participants to create encounters that resist fixed form.
Some projects become exhibitions, others become performances, conversations, screenings, parties, publications or things that exist only once and are never fully explained again.
o ovo is interested in process as much as outcome: the tension between cities, the poetry of mistranslation, the aesthetics of excess, intimacy, noise, delay, repetition and cultural drift.
It exists in transit — between languages, time zones, institutions and improvised dance floors.
More than a collective or curatorial structure, o ovo behaves like an incubation chamber for ideas still in formation. A space where coincidence is treated as methodology, where confusion can become language, and where artistic practice is allowed to remain porous, emotional and slightly unhinged.
Not everything needs to resolve.
Some things only need to crack open.
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Thaís Bambozzi is sensitive to details. Visual artist, psychoanalyst and poet. Based in Sao Paulo, Brazil, her artistic investigations take place between gesture and word, researching the spontaneity of gesture, the materiality of the invisible, and the search for the landscapes of the imaginary.
She graduated in Law from PUC-SP and Visual Arts from EPA, with a postgraduate degree in Art History from FAAP, and later completed her training in Psychoanalysis at CEP. She is currently pursuing a Master's degree on Art and Psychoanalysis in the Interunits Program in Aesthetics and Art History at the University of Sao Paulo.
Nathalia Bertazi is a Brazilian artist and curator whose practice is rooted in gambiarra: a logic of improvisation shaped by precariousness, adaptation, and collective survival. Through fragile materials, repetition, erosion, and provisional structures, she explores tension, collapse, labor, and the unstable systems that hold bodies and meanings together.
She holds a BA in Languages and Literature, a PG in Curating Contemporary Art and Arts of Social Engagement from UAL: Chelsea College of Arts, and an MA in Print from the Royal College of Art.
